{"id":283,"date":"2015-05-22T10:35:30","date_gmt":"2015-05-22T15:35:30","guid":{"rendered":"https:\/\/christopherprosser.com\/?page_id=283"},"modified":"2023-07-02T22:15:26","modified_gmt":"2023-07-03T03:15:26","slug":"list-of-works","status":"publish","type":"page","link":"https:\/\/christopherprosser.com\/?page_id=283","title":{"rendered":"List of Works"},"content":{"rendered":"\n

INSTRUMENTAL
<\/strong><\/span><\/p>\n\n\n\n

Orchestra<\/strong><\/p>\n\n\n\n

The Two Trees<\/em> (2010). [16′]<\/p>\n\n\n\n

Chamber – 4 or More Performers<\/strong><\/p>\n\n\n\n

Perpetuum<\/em> (2020) for flute, clarinet, piano, violin, viola, and cello. [7′]
– Winner of the newEar Contemporary Chamber Ensemble<\/a>‘s 2020 Call for Scores
– Finalist in the 2023 RED NOTE New Music Festival Composition Competition
Off the Wall<\/em> (2017) for percussion quartet. [7′]
Figure, Hero<\/em> (2015) for horn quartet. [6′]
Water-shot<\/em> (2014) for flute, clarinet, viola, and cello. [5′ 30″]
The Juniper Tree<\/em> (2014) for flute choir. [10′]
Five Movements for Harp & Winds<\/em> (2014) for oboe, clarinet, bassoon, and harp. [12′]
Jabberwock<\/em> (2013) for trombone quartet. [8′]
Hammer Striker <\/i>(2013\/Revised 2020) for piano quartet. [8′]
– Finalist, 2022 Garth Newel Piano Quartet<\/a> International Composition Competition
Kubota Garden<\/em> (2012) for percussion, violin, viola, and cello. [4′]
Suite for Dexter<\/em> (2009) for baritone saxophone, trumpet, trombone, 2 pianos, and celesta. [2′]
Rushing to Embrace Her<\/em> (2008) for flute, trumpet, piano, and bass. [4′ 30″]
Brass Mass<\/em> (2005) for brass quintet. [6′]
Three Movements for Saxophone Quartet<\/em> (2005). [11′]
Four Movements for String Quartet<\/em> (2004). [7′]<\/p>\n\n\n\n

Chamber – 2 or 3 Performers<\/strong><\/p>\n\n\n\n

Modalities<\/em> (2022) for trumpet and piano. [9′]
– Finalist, 2023 University of Northern Iowa New Music Ensemble Call for Scores
Bonus Track<\/em> (2020) for bass clarinet and marimba. [4′]
Laguna Gloria Miniatures<\/em> (2019) for two cellos. [6′]
Above the Expanse<\/em> (2019) for bass clarinet, percussion, and violin. [10′]
We Are Called<\/em> (2015) for cello and piano. [10′]
Swarm<\/em> (2012) for alto saxophone and piano. [5′]
L’homme Arme Variations<\/em> (2012) for alto saxophone and piano. [5′]
Symbiosis<\/em> (2012) for flute and bassoon. [15′]
Reckless Behavior<\/em> (2010) for flute and piano. [6′ 30″]
Brood<\/em> (2009) for viola and cello. [5′]<\/p>\n\n\n\n

Solo Instrumental
<\/strong>
Awakening<\/em> for viola (2022). [3′]
4 Clarinet Miniatures<\/em> (2013). [13′]
Three Movements for Marimba<\/em> (2009). [8′]
Suite for Flute<\/em> (2009). [6′ 30″]
– Finalist in the 2010 DuoSolo Emerging Composer Competition<\/p>\n\n\n\n

Solo Piano
<\/strong>
King Variations<\/em> (2021). [20′]
Fugue in C minor <\/em>(2014). [4′]
Little Fugue to Hindemith <\/em>(2014). [2′]
Three Piano Preludes<\/em> (2008). [6′]<\/p>\n\n\n\n

VOCAL<\/strong><\/span><\/p>\n\n\n\n

Choral<\/strong><\/p>\n\n\n\n

The Lamb<\/em> (2022) for SSAATTBB chorus. [5′]
Two Verses<\/em> (2021) for SSAA chorus. [4′]
The Angels<\/em> (2015) for SSAATTBB chorus. [5′ 30″]
Jabberwock<\/em> (2013) for men’s choir and trombone ensemble. [8′]
All in the Golden Afternoon<\/em> (2010) for 3 narrators and SATB chorus. [4′ 30″]
A Poison Tree<\/em> (2009\/Revised 2020) for SATB chorus. [3′ 30″]
Death and Life<\/em> (2008) for women’s chorus and piano. [4′ 30″]<\/p>\n\n\n\n

Art Song<\/strong><\/p>\n\n\n\n

Meta Anthem<\/em> (2023) for mezzo-soprano, baritone, and piano. [11′ 30″]
Inside Outside Song<\/em> (2022)
for soprano or mezzo-soprano, alto sax, and piano. [4′ 30″]
for soprano or mezzo-soprano, clarinet, and piano. [4′ 30″]
Vision And Prayer<\/em> (2017) song cycle for flute, clarinet, percussion, piano, violin, cello, soprano and bass baritone. [45′]
Three Dark Songs of Dylan Thomas <\/em>(2013\/Revised 2020) for soprano and piano. [11′]
The White Birds<\/em> (2010) for mezzo-soprano and baritone voices. [4′]
The Song of Wandering Aengus<\/em> (2009) for bass and piano. [4′]
The Lake Isle of Innisfree<\/em> (2007) for bass-baritone and piano. [4′ 30″]
Fire and Ice<\/em> (2006) for soprano and piano. [3′]<\/p>\n\n\n\n

COLLABORATIVE <\/strong>WORKS<\/strong><\/span><\/p>\n\n\n\n

Film<\/strong><\/p>\n\n\n\n

The Pregnancy Test<\/em> (2015)
The Other Man<\/em> (2014)
The Announcement<\/em> (2014)<\/p>\n\n\n\n

Theater<\/strong><\/p>\n\n\n\n

The Tempest Suite<\/em>, Incidental Music (2009) for piano. [20′]<\/p>\n\n\n\n

Dance<\/strong><\/p>\n\n\n\n

Statues Moving in the Moonlight<\/em> (2009) for flute, clarinet, bassoon, horn, and trumpet. [5′]<\/p>\n\n\n\n

ELECTRO-ACOUSTIC<\/strong><\/span><\/p>\n\n\n\n

A Swamp Setting<\/em> (2009) for electronic media (KYMA). [7′ 45″]<\/p>\n\n\n\n

OTHER<\/strong><\/span><\/p>\n\n\n\n

Chalung vs. Gangsa: Battle for Princess Pelog 5<\/em> (2007) for flute and Balinese gamelan. [6′]<\/p>\n","protected":false},"excerpt":{"rendered":"

INSTRUMENTAL Orchestra The Two Trees (2010). [16′] Chamber – 4 or More Performers Perpetuum (2020) for flute, clarinet, piano, violin, viola, and cello. [7′]– Winner of the newEar Contemporary Chamber Ensemble‘s 2020 Call for Scores– Finalist in the 2023 RED … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-283","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P31CW7-4z","_links":{"self":[{"href":"https:\/\/christopherprosser.com\/index.php?rest_route=\/wp\/v2\/pages\/283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/christopherprosser.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/christopherprosser.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/christopherprosser.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/christopherprosser.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=283"}],"version-history":[{"count":48,"href":"https:\/\/christopherprosser.com\/index.php?rest_route=\/wp\/v2\/pages\/283\/revisions"}],"predecessor-version":[{"id":1344,"href":"https:\/\/christopherprosser.com\/index.php?rest_route=\/wp\/v2\/pages\/283\/revisions\/1344"}],"wp:attachment":[{"href":"https:\/\/christopherprosser.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}